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Action Replay Review: Movie Ratings and Reviews

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Firaaq - Movie Review & Free Download
Admittedly a work of fiction claimed to be inspired from thousands of true stories, ‘Firaaq’ (meaning quest, or separation) mirrors the gruesome reality of the Gujarat riots in which many Muslims and Hindus were slaughtered.
‘Firaaq’
provides us a peek into the after effects of the riots by taking us into the minds of the characters that populate its parallel stories. The gravity of the subject is established in the opening reel when a truckload of dead bodies are dumped into a mass grave.
A homeless boy Mohsin wanders the streets in search of his Abu. A middle-class housewife Aarti ( Deepti Naval ) battles her guilt of having shut the door on a desperate Muslim woman pleading for life. A Muslim-Hindu couple, Sameer and Anu, ( Sanjay Suri and Tisca Chopra ) grapple with the altered reality of their surroundings and plan to leave the city. A group of Muslim men gang up to take revenge. An ageing musician Khan Saheb ( Naseeruddin Shah ) is unable to comprehend the senseless violence and massacre. Two sahelis, Munira and Jyoti ( Shahana Goswami and Amruta Subhash) manage to stick together in the environment of communal hate and suspicion.
With calculated restraint, sensitivity and subtlety, ‘Firaaq’ tells the story of these characters in a bid to rattle the conscience of the viewers and make them realize the horrendous crimes that took place in the Gujarat of 2002.
However, it needs to be said that some might find the film one-sided because it repeatedly portrays the victimization of Muslims – be it a cop telling a Sameer Shaikh (Sanjay Suri) to buzz off to Pakistan, or a local resident dropping a heavy stone slab on a man’s head just because he is a Muslim.
But all in all, Nandita Das does a fairly decent job of telling a multi-layered story with seamless clarity. The performances are top notch, particularly by Deepti Naval, Shahana Goswami, Naseeruddin Shah and Paresh Rawal , who plays a middle-class, anti-Muslim Gujarati trying to cover up the rape committed by his young brother.
Looking beyond the film’s theme, ‘Firaaq’ is a cinematic gem with excellent cinematography (Ravi Chandran), well-penned screenplay (Nandita and Shuchi Kothari) and evocative background score.
Despite its somewhat narrow perspective, it’s a film made with conscience and noble intention, as reflected in a scene in which Raghuvir Yadav (a domestic help) tells Naseer that Muslims are being killed. Naseer replies: “Insaan Insaan ko maar raha hai, gham toh iss baat ka hai. A statement that entreats us to see humans beyond their religions, it pretty much encapsulates the soul of ‘Firaaq’.
Definitely worth a watch.
Rating: ****
Free Download Gulaal - Bollywood Movie Gulaal Free Download

Producer: Zee Limelight
Director: Anurag Kashyap
Music Director: Piyush Mishra
Lyricist: Piyush Mishra
Cinematographer: Rajeev Ravi
Editor: Aarti Bajaj
Art Director: Wasiq Khan
Story: Anurag Kashyap, Raja Chaudhary,Aparna Chaturvedi
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99 Bollywood Movie Review

The year is 1999. Sachin ( Kunal Khemu ) and Zaramud ( Cyrus Broacha ) are the Laurel and Hardy of our story. They make fake SIM cards and are sucked into a bigger mess when they steal and crash a gangster’s Mercedes while running away from cops. To save their skin, the duo are forced to work for the ganglord AGM ( Mahesh Manjrekar ), who is a bookie and has a long list of people to recover his money from. In the list is Rahul ( Boman Irani ), a gambling addict always looking for ‘signs’ and ‘signals’ as favourable or unfavourable omens to bet or gamble his money, if he has any. AGM
sends Laurel and Hardy to Delhi to recover money from Rahul. Before the duo go about their dirty job, Laurel loses his heart to Pooja ( Soha Ali Khan ). Not just this, the two crooks also end up losing the money they forcibly recover from Rahul. Thereafter, begins a mad chase, where Laurel faces robust goons with fists and kicks, while the barrel of a Hardy spends most of his time in toilet, unloading himself of the butter chicken of previous night.
The director duo of Raj Nidimoru and Krishna D.K. must be lauded for making a refreshingly delightful film with ample funny moments. The humour in the film – expressed in situations and crispy dialogues – is not of the kind we see in typical Bollywood no-brainers. At times it’s witty, at times pure slapstick. Note that sequence about Delhi being a strange city where girls are either named Pooja or Neha, where it’s cold in March, where spoiled brats play loud music in cars, and where everyone is out to steal your stuff. All these things actually transpire in the unraveling of the plot.
Though the pace of the film slackens at few places, the performances by the cast keeps you hooked for most part of the film. Kunal Khemu is totally at ease playing his character while Cyrus Broacha goes over the top a few times. Boman Irani gets the meatiest role in the film and he slips convincingly into his character of an employee in a forex firm whose wife has left him because of his gambling addiction. Soha Ali Khan has a brief role and she plays it well. Mahesh Manjrekar is a delight to watch.
The most surprising of the lot is an actor named Amit Mistry who plays a pint-sized goon out to recover his money from Rahul. There’s also an impactful cameo by Vinod Khanna , as a cricket match fixer.
The film’s music and cinematography are top grade and not once do they hamper the story’s flow.
With its tight script, fine performances and refreshingly different story, ‘99’ turns out to be a total paisa vasool film not just for its characters but also for audiences.
Do give it a shot.
Rating: ***
Raat Gayee Baat Gayee - Movie Review

Cast:Rajat Kapoor, Vinay Pathak, Neha Dhupia, Iravati Harshe, Dilip Tahil, Anu Menon, Navneet Nishan
Publicity Designer:Pritish Nandy Communications Ltd
Story Writer:Saurabh Shukla, Rajat Kapoor
Sound Designer:Resul Pookutty
Producer:Rangita Pritish Nandy
Production Designer:Meenal Agarwal
Music Director:Ankur Tewari
Director:Saurabh Shukla
Beneath the veneer of a steady smooth marriage lies the seed of temptation that needs a few swigs of wine to sprout and find an ecstatic release. No wonder that almost every character in Raat Gayi Baat Gayi seems to be cheating on his or her spouse.
Rahul (Rajat Kapoor) wakes up foggy after a night of drunken revelry at a party with a svelte and sexy babe Sophia (Neha Dhupia) but can’t clearly recall how far he went on his bed-rocking adventure with the hottie. He’s particularly worried because his wife Mitali (Iravati Harshe), who was also at the party, is withdrawn and sullen in the morning. She seems to know the truth which Rahul himself can’t recall.
So, Mr. Cheater visits his neighborhood buddy Amit (Vinay Pathak) to untangle the mystery. Amit being of little help, the duo meets up the party’s host Saxena (Dalip Tahil) who outwardly is happily married to a plump Punjabi (Navneet Nishan) but is having a fling on the side with the same hottie.
As the trio set about to piece together the jigsaw of the debauched night, we are flashbacked to the party and its colourful, droll, and drab characters. Did Rahul transgress the bounds of marital vows? Did he bed Sophia? Or is there another secret that springs up as a sting in the tale’s tail.
A wry comedy with its share of oddball characters not uncommon from the ones in previous films by the Rajat-Vinay-Neha gang, ‘Raat Gayi Baat Gayi’ gives you a slightly déjà vu feel of having been there and seen that. With Vinay once again playing a commoner who sneak peeks into porn or Rajat playing the suave smoothie or Neha playing a temptress, there’s little shock value to the film and how the characters are shaped, but for its climax which more than compensates for the sluggish interludes in an otherwise briskly unfolding tale.
The performances are doubtlessly topnotch, with even Navneet Nishan managing convincingly to play the rotund and slightly snobbish party hostess or Irawati Harshe lending a somber mystique to Rahul’s morose wife. Anuradha Menon, the inimitable VJ Lola Kutty of the small screen, tones herself down substantially.
Director Saurabh Shukla peppers the screenplay with good bouts of potent humour, but it isn’t the kind that will have you doubling up with laughter. All in all, a timepass watch.





































